My practice unfolds as a continuous negotiation between presence and perception, where identity is neither fixed nor singular but a shifting interplay of reflection and distortion.

My work traverses the tensions between visibility and invisibility, the original and the copy, fiction and reality—moving fluidly through personal and collective narratives.

I welcome the instability of process, the unfinished and the unresolved, crafting performances that oscillate between intimacy and spectacle, rigor and spontaneity, the personal and the absurd.

I choreograph worlds where bodies are both sites of resistance and vessels for transformation, where choreography is a tool for reimagining, for reclaiming, and for becoming.